Issue 24, Spring 1992

General Overview: The image features a classical architectural building illuminated during the evening. The building exudes an aura of elegance and historical significance. Specific Elements or Objects: Magazine Title and Text: At the top, the title “Alabama HERITAGE” stands out in bold red and black fonts. Below the title, there’s text indicating that the magazine is published quarterly by the University of Alabama. Near the bottom, we see the issue details: “Spring 1992 Number 24” and the price “.00.” Photograph of the Building: The central focus is a photograph of a building with classical architecture. The building boasts a prominent dome with a visible clock face. Illuminated columns line the front facade, emphasizing its grandeur. Graphic Art Image Prompt: The image prompts us to imagine an alternate view of this architectural gem under different lighting conditions. We could emphasize its structural details while incorporating elements that reflect Alabama’s cultural heritage. In summary, this captivating cover art combines aesthetics, history, and architectural beauty, making it a fitting representation for “Alabama Heritage” magazine.

Issue 24, Spring 1992

On the cover: Alabama capitol, site of tax legislation since 1851. [Photo by Robin McDonald]

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Features

he photograph captures a public protest or demonstration. Here are the key elements: Group of People: A diverse group of individuals has gathered, holding up protest signs. Their expressions appear determined and passionate as they advocate for their cause. Protest Signs: Several cardboard signs are prominently displayed, each conveying a powerful message: One sign reads: “FOR A GENTLER NATION, WE NEED EDUCATION WITHOUT EXPLOITATION.” Another boldly states: “ALABAMIANS NEED C.P.R. LET’S BREATHE BACK INTO EDUCATION.” A third visible sign declares: “SAVE OUR SCHOOLS,” although additional text on this sign is partially obscured. Background: The backdrop features the top part of a large domed building. Its architecture resembles that of a state capitol or a similar government structure. The sky above the building appears overcast, adding to the gravity of the scene.
On February 4, 1992, several thousand Alabamians–members of parent-teacher associations and other concerned citizens–marched to the Alabama statehouse in Montgomery to voice support for tax reform and increased funding for education. [Courtesy George Wolfe]

Taxes, Taxes, Taxes: The History of a Problem

By Wayne Flynt and Keith Ward

Alabamians hate taxes. When given the option between raising taxes and cutting social services, the choice seems simple: cut the services. This fact is not new; it is inextricably bound up in the history of the state. In this article, Wayne Flynt and Keith Ward examine the history of Alabama’s attitude toward taxation and offer suggestions for tax reform.

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Old Mobile Ironwork

By John Sledge

Flamboyant, yet practical, cast iron captured the imagination of America. The infinite variety of forms possible in cast iron made it desirable for architects seeking to add dramatic flair to their buildings. In no area of the country was it more appreciated than in coastal cities such as Mobile, Alabama. The history of the metal, however, is by no means straightforward: at once prized and neglected, imitated and sold for scrap, cast iron weathered the twentieth century to become an integral part of Mobile.

Central Figure: The central figure appears to be a sculpted angel or cherub. It stands within an ornate frame, suggesting it might be part of architectural design or decorative ironwork. The angelic figure is characterized by wings and is adorned in classical attire. In its hand, the figure holds what resembles a staff or spear. The material of the sculpture and frame seems to be either stone or metal, painted in a pristine white color. The intricate scrollwork surrounding the figure adds to its elegance. Background and Contrast: The background behind the scrollwork is dark, creating a striking contrast that emphasizes the whiteness of the sculpture. The overall composition exudes a sense of timelessness and artistic craftsmanship.
The Charles G. Richards House, constructed in 1860, contains perhaps the most intricate ironwork in the city, blending naturalistic patterns with neoclassical elements, including allegorical figures of the four seasons. [Courtesy Mobile Historic Development Commission]
The photograph is in black and white, giving it a vintage appearance. A seated person is the central focus. The person is facing slightly to the right side of the frame. The individual is dressed in dark-colored pants, a white shirt, and a dark vest or jacket. Their hands rest on what appears to be the top of a cane or umbrella. The background is indistinct, likely due to the age and quality of the photograph, but it appears plain.
The Right Reverend Nicholas Hamner Cobbs, first Episcopal bishop of Alabama, prayed that he would die before Alabama,a seceded from the Union. He passed away on January 11, 1861, an hour before the event occurred. [Courtesy Alabama State Department of Archives and History]

Praying for the President

By Janie M. Moore

Church and State collided during Reconstruction when Alabama’s Episcopalians refused to pray for the US president. Though such prayer was common in the era before the Civil War, representatives of the Episcopal church argued that it was their right to refuse prayer for the president, arguing that–since he was the head of an occupying force–his rule was illegitimate. In response, the Union army issued General Orders 38, which threatened military closure of the churches until such a time as their leaders agreed to re-institute the prayer. The confrontation between these two stances was intense and would result in an appeal to the subject of the prayer himself–Pres. Andrew Johnson.

Departments

The image features a large, ornate house with distinct architectural elements. Architectural Features: The house exhibits a Victorian style, characterized by intricate detailing. Gingerbread woodwork adorns the gables, adding decorative flair. Multiple gabled roofs with decorative ridge cresting create an imposing silhouette. A wrap-around porch envelops the house, providing a charming outdoor space. Tall windows flood the interior with light, emphasizing the grandeur. Some windows are bay windows, extending outward from the wall. The entrance is accessible via the porch, enhancing the home’s welcoming vibe. A chimney graces the right side of the house. The well-maintained lawn in front suggests a landscaped area or garden.
Waldwic, a whimsical, Gothic Revival plantation house in the Canebrake, appears to have been plucked from a fairy tale. [Photograph by Chip Cooper)

Southern Architecture and Preservation

Gothic Revival Architecture in the Canebrake

By Jeff Mansell

While the Classical and Greek Revival styles were the most popular choices for plantation owners, romantic architectural styles such as the Italianate and the Gothic Revival gained increasing favor in the 1850s. Two examples of the Gothic Revival style are found in the Canebrake region of Alabama. Jeff Mansell discusses the history and influence of these houses.

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