Cover: Fort Morgan’s timeless casement arches are showing the ravages of age. (Photo by Robin McDonald.)


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Winter 2008, Issue 87

Article Abstracts and Supplements

Fort Morgan: Guardian of the Bay
Ruby Pickens Tartt: Citizen of the World
Richard Coe's Birmingham
William Stanley Hoole: A Man of Letters
Departments



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Fort Morgan: Guardian of the Bay
By Jessica Fordham Kidd

One of the South’s greatest military assets, Fort Morgan has protected the waters of Mobile Bay since its inception in 1834. Once its location gained attention for its beneficial strategic location, designs for a spectacular fort that could withstand the ravages of battle were put into place. Having overseen heavy action during the Civil War and World War II, the fort did its job of protecting our soldiers and harbor waters. Finally, however, the ravages of age are beginning to show on this historic landmark, and action is needed to protect the structure that protected so many throughout its past.


Additional Information
For further information on Fort Morgan, a visit to the historic landmark and its on-site museum is highly recommended. The landmark and museum preserve the history of all the eras of Fort Morgan. Other sources include Fort Morgan by Bob England, Jack Friend, Michael Bailey, and Blanton Blankenship (Arcadia Publishing, 2000), Confederate Forts by Zed H. Burns (Southern Historical Publications, 1977), and Two Naval Journals: 1864 edited by C. Carter Smith Jr. (Southern University Press, 1969).

About the Author
Jessica Fordham Kidd is a native of Coker, Alabama. She works as an assistant director of the First Year Writing program and as an instructor in the English department at the University of Alabama. She has a bachelor’s degree in geology and a master of fine arts degree in creative writing, both from the University of Alabama. Her article “Privation and Pride: Life in Blockaded Alabama” appeared in Alabama Heritage issue 82.

The author sends many thanks to Blanton Blankenship, site manager of Fort Morgan National Historic Landmark, and Michael Bailey, cultural resource coordinator at Fort Morgan. They provided extensive information on the fort’s history and preservation concerns, a tour of the site, and letters from soldiers stationed at Fort Morgan.


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The casemate arches that look out toward Fort Morgan’s parade ground form a dramatic frame for all visitors who pass through them. Fort Morgan’s Battery Duportail, visible through the right arch, was constructed in the fort’s center in 1898. (Photo by Robin McDonald.)
This nascent 1817 plan of Fort Morgan would not be actualized until 1834. (Courtesy Library of Congress.)
A view from atop the wall allows the stunning expanse of Fort Morgan’s parade ground to be seen. (Photo by Robin McDonald.)
The regal entrance through Fort Morgan’s glacis allows visitors to walk in the footsteps of former soldiers. (Photo by Robin McDonald.)
Fort Morgan’s dry moat (grassy area on left) distanced the fort’s brick outer walls from the glacis (mound on far left), which absorbed enemy fire. (Photo by Robin McDonald.)
Famous Civil War artist A. R. Waud sketched the capture of the Confederate blockade runner Planter off the shores of Mobile May 13, 1862, by the USS Lackawanna. (Courtesy Library of Congress.) The Battle of Mobile Bay, fought on August 5, 1864, meant the fall of the last remaining Confederate port besides Savannah. (Courtesy Museum of Mobile.) Admiral David Farragut was a staunch opponent during the Battle of Mobile Bay. When tethered naval mines, known as torpedoes, began sailing at federal ships, Farragut cried, “Damn the torpedoes...full speed!” (Courtesy Library of Congress.) Soldiers pose on Battery Duportail’s disappearing rifle. (Courtesy Fort Morgan Historical Museum.) These 1914 soldiers-turned-fishermen proudly display their catch for the camera and for two interested puppies. (Courtesy Fort Morgan Historical Museum.) Mismatched bricks reveal the spotty patchwork of the repairs to the glacis entrance. (Photo by Robin McDonald.) Water seepage and leaching lime cause slippery floors and arch decay. (Photo by Robin McDonald.)

Ruby Pickens Tartt: Citizen of the World
By Philip Beidler and Elizabeth Buckalew


An extraordinary folklorist from Livingston in Sumter County, Ruby Pickens Tartt’s collection of slave narratives, folk songs, and interviews are vital documents that help unlock the history of Alabama’s past. A painter, librarian, matriarch, football fan (as well as somewhat of a danger behind the wheel of a car), Tartt lived a vivid and rich personal life filled with fortune. Yet she harnessed her enthusiasm for life into critical research that amounts to one of the most valuable collections of slave narratives to date. With empathy, candor, and purpose, Tartt ensured that the stories of Alabama's slaves would never be forgotten.


Additional Information
For more information on the WPA Slave Narratives, see the Library of Congress/American Memory website at: http://memory.loc.gov/ammem/snhtml/snhome.html

Additional Resources for Ruby Pickens Tartt and her folklore:

Arnold, Byron, ed. Folk Songs of Alabama. Tuscaloosa: U of Alabama Press, 1950. 151-156. Brown, Alan.
---Dim Roads and Dark Nights: the Collected Folklore of Ruby Pickens Tartt. Livingston: U of Livingston Press, 1993.
--- and David Taylor, eds. Gabr’l Blow Sof’: Sumter County, Alabama, Slave Narratives. Livingston: U of Livingston Press, 1997.

Brown, James Seay. Up Before Daylight: Life Histories from the Alabama Writers’ Project, 1938-39. University: U of Alabama Press, 1982.

Brown, Virginia Pounds and Laurella Owens. Toting the Lead Row: Ruby Pickens Tartt, Alabama Folklorist. University: U of Alabama Press, 1981.

Carmer, Carl. “Back to Alabama.” Holiday. 27 (March) 1960, 50-54+.
---. Stars Fell on Alabama. New York: The Literary Guild, 1934.
---. “My Most Unforgettable Character.” Livingston: Livingston University Press, 1975.

Courlander, Harold. The Big Old World of Richard Creeks. Philadelphia: Chilton Company, 1962.

Foley, Martha, ed. Best American Short Stories: 1945. New York: Houghton-Mifflin, 1945. 272-282.
---. Best American Short Stories: 1942. Introduction. New York: Houghton-Mifflin.
--- and A. A. Rothberg, eds. U. S. Stories: Regional Stories from the Forty-Eight States. New York: Farrar-Straus, 1949. 307-15.

Jones, Tina Naremore. “Confronting the Big House and Other Stereotypes in the Short Stories of Ruby Pickens.” Tributaries 7.

Lomax, Alan. The Rainbow Sign: A Southern Documentary. New York: Duell, Sloan, and Pearce, 1959.

Lomax, John. Adventures of a Ballad Hunter. New York: Macmillan, 1947.

Solomon, Jack, and Olivia Solomon, eds. Honey in the Rock: The Ruby Pickens Tartt Collection of Religious Folk Songs from Sumter County, Alabama. Macon: Mercer University Press, 1992.

Tartt, Ruby Pickens. “Alabama Sketches.” Southwest Review 29 (Winter) 1944, 234-41.
---. “Alice.” Southwest Review 33 (Spring) 1949, 192-195.
---. "Four Negro Stories.” Southwest Review 37 (Spring) 1952, 137-40.
---. Recorded Interview with Nathaniel Reed. 1964.
---. Recorded Interview with Nathaniel Reed. 1972.

Texas Folklore Society. From Hell to Breakfast. Austin: The Society, 1944, 21-28.

Windham, Kathryn Tucker. Alabama: One Big Front Porch. Huntsville: The Strode Publishers, Inc., 1957,. 56-59.

About the Author
Philip Beidler is a professor of English at the University of Alabama, where he has taught American literature since receiving his PhD from the University of Virginia in 1974. His publications over the years in Alabama Heritage include essays on Caroline Lee Hentz, Johnny Mack Brown, legal codes in early Alabama, and Alabama soldiers in the Vietnam War and the American Civil War. His most recent book is American Wars, American Peace: Notes from a Son of the Empire University of Georgia Press (2007).

Elizabeth Wade Buckalew is an Assistant Editor for Alabama Heritage. A graduate of Davidson College, she is currently pursuing a PhD in English at the University of Alabama. Her poetry and nonfiction have appeared in such journals as Harpur Palate, Cream City Review, and Spoon River Poetry Review. She would like to thank Allen and Mary Tartt for their generous assistance with this article.

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Richard Coe's Birmingham
By Lynn Barstis Williams

An accomplished artist whose studies took him all over the world, Richard Coe’s talent for painting and etching found a muse in the “Magic City” of Birmingham, where he focused on capturing the city and its residents during the Great Depression. His canvas gave true-to-life renditions of everything from steel mills to churches to multi-family dwellings.

Additional Information
Coe’s painting Birmingham Steel Mill can be viewed most recently in American Paintings from the Montgomery Museum of Fine Arts (Montgomery Museum of Fine Arts, 2006). Two other etchings by Coe can be viewed in an essay by William U. Eiland, “Picturing the Unvictorious: The Southern Scene in Alabama, 1930-1946,” in The American Scene and the South: Paintings and Works on Paper, 1930-1946 (Georgia Museum, University of Georgia, 1996).

About the Author
Lynn Barstis Williams is Librarian Emerita at Auburn University Libraries. She is the author of Imprinting the South: Southern Printmakers and Their Images of the Region, 1920s-1940s (University of Alabama Press, 2007), various journal articles on southern art, and the compiler of American Printmakers: An Index to Reproductions and Biocritical Information, 1880-1945 (Scarecrow, 1993). She has authored other articles on Alabama artists for Alabama Heritage. Williams would like to thank John McCall for sharing his collection of Coe works for this article. She would be interested in hearing from people who have more knowledge of and works by Richard Coe (heritage@bama.ua.edu).

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Birmingham Steel Mill, oil on canvas, 1934, 20 1/8 x 24 1/8 in. Coe used a much looser style of brushwork in this painting to depict the colorful fumes coming from the furnace. Small figures of workers standing around the furnace are barely visible. (Courtesy Montgomery Museum of Fine Arts, Montgomery Alabama; Gift of the artist.) View of Birmingham, etching, c. 1935, 5 x 6 1/8 in. Coe often depicted the city from the surrounding mountains and experimented with representations of dark clouds by etching and wiping the plate. (Courtesy of the collection of John Peter Crook McCall. All Rights Reserved.)” (Courtesy Library of Congress.) Birmingham, oil on canvas, c. 1935, 19 3/8 x 22 ½ in. These towers stored gas likely manufactured from coal that was used for industrial and domestic purposes. (Courtesy of the collection of John Peter Crook McCall. All Rights Reserved.) Etching, 10 5/8 x 7 ½ in., c. 1935. This etching depicts the First United Methodist Church on 19th Street and 6th Avenue. Coe deeply etched the stones of the church to give an indication of their depth in space and time. (Courtesy of the collection of John Peter Crook McCall. All Rights Reserved.) No Nox, oil on canvas, 30 x 40 in. Information on the verso of the painting identifies it as the “3rd Avenue Filling Station” in Birmingham. The title likely refers to the brand of gasoline sold at the station. The painting was exhibited at the First Biennial Exhibition of Contemporary American Painting at the Virginia Museum of Fine Arts in Richmond, Virginia, in 1938. (From the collection of Patrick Cather, Shoal Creek, Alabama.) Pet Possum, etching, c. 1935. In this etching, a man and two children are playing with a possum. (Courtesy of the collection of John Peter Crook McCall. All Rights Reserved.) Etching, c. 1935. Two figures are having a conversation behind the deeply etched fence in this illustration. (Courtesy of the collection of John Peter Crook McCall. All Rights Reserved.) Etching, c. 1935, 6 1/8 x 5 in. It is difficult to tell if this is a front or back view of this multi-family dwelling. (Courtesy of the collection of John Peter Crook McCall. All Rights Reserved.)

William Stanley Hoole: A Man of Letters
By Elizabeth Hoole McArthur

A legend on the University of Alabama campus, William Stanley Hoole is not just an Alabama icon but is also a revered scholar nationwide. Author, scholar, lecturer, and library administrator, Hoole held a great penchant for academia and the South. Beginning his first personal “library” at age four, Hoole grew up to make book collections one of the centermost facets in his life. As an innovative leader in the library sciences, Hoole was steadfast in his mission to improve the service and quality of university libraries, including a major overhaul at UA’s Tuscaloosa campus, where the collection he built is now a favorite of southern history scholars.


Additional Information

For further reading:

About Dr. William Stanley Hoole and the W.S. Hoole Special Collections Library:

Hoole, Martha DuBose. William Stanley Hoole: Student-Teacher-Librarian-Author. Florida State University, 1958. Published as Number Twenty-eight in the reprint edition of Confederate Centennial Studies. Wilmington, North Carolina: Broadfoot Publishing Company, 2001.

http://www.lib.ua.edu/libraries/hoole

By Dr. William Stanley Hoole (selections)

According to Hoole: The Collected Essays and Tales of a Scholar-Librarian and Literary Maverick. University, Alabama: University of Alabama Press, 1973.

Alabama Tories: The First Alabama Cavalry, U.S.A., 1862-1865. Confederate Centennial Studies Number Sixteen. Tuscaloosa Alabama: Confederate Publishing Company, Inc., 1960.

Alabama’s Boy Generals of the Confederacy. University, Alabama: Confederate Publishing Company, 1984. Co-authored with Addie Shirley Hoole.

Alias Simon Suggs: The Life and Times of Johnson Jones Hooper. University, Alabama: University of Alabama Press, 1952.

And Still We Conquer: The Diary of a Nazi Unteroffizier in the German Afrika Corps Who Was Captured by the United States Army, May 9, 1943 and Imprisoned at Camp Shelby, Mississippi. University, Alabama: Confederate Publishing Company, 1968. Edited with an Introduction.

The Ante-Bellum Charleston Theatre. University, Alabama: University of Alabama Press, 1946.

The Battle of Resaca, Georgia May 14-15, 1864. University, Alabama: Confederate Publishing Company, 1983. Co-authored with Hugh Lynn McArthur.

The Birmingham Horrors. Being A Complete and Accurate Account of Richard R. Hawes’s Murder of His Wife Emma, and Daughters.... Huntsville, Alabama: Strode Publishers, 1980.

The Cherokee Indians in Georgia and Georgia in the 1840’s. University, Alabama: Confederate Publishing Company, 1980. Co-authored with Addie Shirley Hoole. Edited with a Foreword.

Confederate Foreign Agent: The European Diary of Major Edward C. Anderson, C.S.A. University, Alabama: Confederate Publishing Company, 1976. Edited with a Prologue and an Epilogue.

Confederate Norfolk: The Letters of a Virginia Lady to the Mobile Register, 1861-1862. University, Alabama: Confederate Publishing Company, 1984. Co-authored with Addie Shirley Hoole.

Florida Territory in 1844: The Diary of Master Edward Clifford Anderson, USN. University, Alabama: University of Alabama Press, 1977. Edited with a Foreword, Afterward, and Critical Apparatus.

Four Years in the Confederate Navy: The Career of Captain John Low on the C.S.S. Fingal, Florida, Alabama, Tuscaloosa, and Ajax. Athens, Georgia: University of Georgia Press, 1964.

The James Boys Rode South. A Thrilling and Authentic New Episode in the Fabulous Lives of the Most Daring Desperadoes of Modern Times, Frank and Jesse James, and Their Comrades in Crime. Tuscaloosa, Alabama: SWS Printers, 1955.

John Witherspoon DuBose: A Neglected Historian. University, Alabama: Confederate Publishing Company, 1983.

It’s Raining Violets: The Life and Poetry of Robert Loveman. Portals Press: Tuscaloosa, Alabama, 1981.

Lawley Covers the Confederacy. Confederate Centennial Studies Number Twenty-six. Tuscaloosa, Alabama: Confederate Publishing Company, Inc., 1964.

Louise Clarke Pyrnelle: A Biography, with Selections from Her Writings. University, Alabama: Confederate Publishing Company, 1982. Co-authored with Addie Shirley Hoole.

The Logs of the C.S.S. Alabama and the C.S.S. Tuscaloosa 1862-1863. University, Alabama: Confederate Publishing Company, 1972. Edited with an Introduction.

Margaret Ellen O’Brien (1870-1898): A Neglected Alabama Author-Journalist. University, Alabama: Confederate Publishing Company, 1981.

Martha Young: Alabama’s Foremost Folklorist. University, Alabama: Confederate Publishing Company, 1982.

Ode to a Druid Oak. Tuscaloosa, Alabama: Portals Press, 1979.

Peedee Epiphany. Tuscaloosa, Alabama: Portals Press, 1981.

Reconstruction in West Alabama: Memoirs of John H. Hunnicutt. Tuscaloosa, Alabama: Confederate Publishing Company, 1959. Edited with an Introduction.

A Rebel Spy in Yankeeland: The Thrilling Adventures of Major W.P. Gorman Who Was the Emissary of the Confederacy to the Copperheads of the North, 1861-1865. University, Alabama: Confederate Publishing Company, 1981. Edited with An Introduction.

The Saga of Rube Burrow, King of American Train Robbers, and His Band of Outlaws. University, Alabama: Confederate Publishing Company, 1981.

Sam Slick in Texas. San Antonio, Texas: Naylor Press, 1945.

Spanish Explorers in the Southeastern United States, 1527-1561. University, Alabama: Confederate Publishing Company, 1987. Co-authored with Emily Coleman Moore.

Vizetelly Covers the Confederacy. Confederate Centennial Studies Number Four. Tuscaloosa, Alabama: Confederate Publishing Company, Inc., 1957.

The Yankee Invasion of West Alabama, March-April, 1865. Including the Battle of Trion (Vance), the Battle of Tuscaloosa, the Burning of the University of Alabama, and the Battle of Romulus. University, Alabama: Confederate Publishing Company, 1985. Co-authored with Elizabeth Stanley Hoole McArthur.

Dr. William Stanley Hoole as Series Editor-in-Chief and Contributing Author

Confederate Centennial Studies. A series of twenty-seven books to commemorate the Civil War Centennial. Tuscaloosa, Alabama: Confederate Publishing Company, Inc., 1956-1965.

Confederate Regimental Series. A series of twelve historical sketches of Confederate regiments from Alabama, Georgia, and South Carolina. University, Alabama: Confederate Publishing Company, 1982-1987.


About the Author
Elizabeth Hoole McArthur, a Phi Beta Kappa graduate of the University of Alabama, earned BA and MA degrees in history. She holds the EdD from University of Georgia. Following a successful thirty-year career as a secondary school teacher/administrator she now writes for magazines, has published a history (Bound for Glory), and is completing another. She resides with her husband Hugh in Dalton, Georgia. McArthur has many wonderful childhood memories of “assisting” her father, Dr. Hoole, with his writings and eagerly accompanying him on searches for historic sites, relics, and stories as she grew older. With him she co-authored The Yankee Invasion of West Alabama, March–April, 1865. She would like to thank Mrs. Addie Shirley Hoole and Martha DuBose Hoole.


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Hoole was inducted into many national honor societies: Phi Beta Kappa for the liberal arts, Phi Alpha Theta for history, Kappa Phi Kappa for professional education, Pi Tau Chi for religion, and Omicron Delta Kappa for leadership. (Courtesy Elizabeth Hoole McArthur.)
Hoole’s mother was a strong influence on his love of books. Some of his favorite books they read together were the Mother Goose rhymes, Andersen’s Fairy Tales, Black Beauty, and Oliver Twist. (Courtesy Elizabeth Hoole McArthur.)
In this 1923 photo, Hoole stands before Laurel Lake, where he worked as a lifeguard during summers in college. The high dive, which Hoole used frequently to impress young ladies, is visible in the background. (Courtesy Elizabeth Hoole McArthur.)
As varsity quarterback for the Wofford football team, Hoole called the plays but was rarely allowed to carry the ball because of his small frame. Hoole’s coaches ordered him to stay out of the action, to prevent injury to their star kicker. (Courtesy Elizabeth Hoole McArthur.)
In the late 1920s, Hoole and his future wife, Martha Anne Sanders, passed time in Darlington swimming, fishing, picnicking, and hiking with friends. They were married in 1931. (Courtesy Elizabeth Hoole McArthur.)
Hoole’s love of books and all things Southern was a constant throughout his life. He once wrote that his idea of heaven was plenty of Southern history, literature, candied yams, and turnip greens. (Courtesy Elizabeth Hoole McArthur.)
In 1970 Hoole married Addie Shirley Coleman, a fellow University of Alabama employee who had three children of her own. (Courtesy Addie Shirley Hoole, Tuscaloosa, Alabama.)
 

Departments

Southern Architecture and Preservation
Function Marries Form: Some Early Tennessee Valley Stairways
By Robert Gamble


The breathtaking stairways of antebellum Alabama demanded artistic flair and design. View the beautiful Lee-Darwin-Lacy House of Madison’s geometrical stair, and the unique main and “back hall” stairway of the Woodroof-Crumlish House in Mooresville. The Watkins-Moore-Rhett House’s corkscrew staircase is also a dizzying delight, but most spectacular of all is the tour de force of grace, elegance, and double flights: Barton Hall’s stairway in the Cherokee Vicinity.

Additional Information

To get involved with Alabama’s Preservation:

Since 1994 the Alabama Historical Commission and the Alabama Trust for Historic Preservation have joined forces to sponsor “Places in Peril,” a program that each year highlights some of the state’s significant endangered properties. As awareness yields commitment, and commitment yields action, these endangered properties can be saved and returned to their important place as treasured landmarks.

The “Places in Peril” program has helped to save many important landmarks that might otherwise have been lost. These include the Forks of Cyprus ruins in Florence (listed 1997), the John Glascock House in Tuscaloosa (listed 2001), the Lowe Mill Village in Huntsville (listed 2002), the Coleman House in Uniontown (listed 2003), and Locust Hill in Tuscumbia (listed 2004).

Everyone can play a role to help save those resources that are in peril. Adopt one of the properties. Tell everybody you know that it is important. Write letters of support. Volunteer your time or expertise to the local preservation group. If an endangered property really strikes you, go ahead and buy it! A generous (or even modest) donation to the “Endangered Property Trust Fund” can help statewide.

For more information on the fund or joining the Alabama Trust for Historic Preservation , call 205-652-3497 or visit them online at www.alabamatrust.info. For additional information on the “Places in Peril” program, visit the Alabama Historical Commission website at www.preserveala.org or contact Melanie Betz at 334-242-3184.

Read “Criteria for Selecting Places in Peril” to learn more about how sites are chosen for this program.


About the Author
Robert Gamble is the Senior Architectural Historian for the Alabama Historical Commission.
Known to nineteenth-century artisans as a “geometric stair,” this curving stairway is a focal point of the Lee-Darwin-Lacy House in Madison. (Photo by Robin McDonald.)
A second “back-hall” stairway is visible past the landing of the main stair at the Woodruff-Crumlish House in Mooresville. (Photo by Robin McDonald.)
African American James Bell built this cylindrical stairway and two others at Huntsville’s Watkins-Moore-Rhett House. (Photo by Robin McDonald.)
The builder of the striking stairway at Barton Hall is unknown. The stairway features a series of double flights and landings and ends at a rooftop widow’s walk. (Photo by Chip Cooper.)
Alabama Mysteries
Murder on Chandler Mountain
By Pam Jones

A deathbed confession reopened the grizzly double homicide case of St. Clair farmer Jacob Lutes and his second wife, Marcella two decades after it occurred. Three men had already spent over twenty years in prison when an ill and elderly John McLemore stated that he and his father-in-law Thomas Mcknight were the actual murderers. Those surrounding the case on Chandler Mountain ask: where does the truth lie?


About the Author
Pamela Jones is a freelance writer and researcher based in Birmingham. Her particular areas of interest in Alabama history are true crime and the state between the two world wars. She is a history instructor at a Birmingham college and writes corporate histories.



 
Nature Journal
Lessons in Morelity
By L. J. Davenport


Over thirty species of morels exist nationwide, delighting epicures, drawing curiosity, and even functioning as a source of danger for those who are unfamiliar with some morels’ deadly toxicity. Sprouting from an underground network that shares a hidden, symbiotic relationship with treeroots, it is not until these morels blossom above the surface that we are provided with a hint of the magic going on beneath.


About the Author
Larry Davenport is a professor of biology at Samford University, Birmingham.

A morel awaits its culinary fate, Jefferson County. (Digital image by W. Mike Howell.)
Reading the Southern Past
Two New South Girlhoods
By Stephen Goldfarb


A boisterous childhood from the Black Belt of Wilcox county is delightfully detailed in Viola Goody Liddell’s With a Southern Accent (University of Alabama Press, 1982). Liddell’s large gentry family was hard-hit by the post-World War I depression, but she and her siblings certainly did not suffer from a lack of mischief. A contrast to this rowdy clan is the memoir of Mary Wallace Kirk’s Locust Hill (University of Alabama Press, 1975). Her etchings of the area surrounding Tuscumbia portray a serene and solemn life of southern prosperity.


About the Author
Stephen Goldfarb holds a PhD in the history of science and technology. He retired from a public library in 2003.
With a Southern Accent, by Viola Goode Liddell (University of Alabama Press, 1982).
Mary Wallace Kirk’s home, Locust Hill, photographed in 2004. (Photo by Robin McDonald). Locust Hill, by Mary Wallace Kirk (University of Alabama Press, 1975)..


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