Cover: After being attacked at a 1956 concert in Birmingham, Nat "King" Cole refused to return to his home state of Alabama. (Rutgers Institute of Jazz Studies.)

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Winter 2004, Issue 71

Article Abstracts and Supplements


Tinsley Harrison teaches medical students at the bedside of a patient in 1964. (Courtesy UAD Archives, University of Alabama at Birmingham.)
The Doctors Harrison: A Magnificent Obsession
By James Pittman


Two buildings and a statue at the medical school at the University of Alabama at Birmingham bear his name, but Dr. Tinsley Harrison's legacy extends beyond the structures and monuments. In his article, James Pittman tells the story of Tinsley Harrison, the seventh generation of Harrison family doctors, who helped change the way medicine is practiced in this country by changing the way medicine is taught. His forefathers had been country doctors who made house calls. Tinsley Harrison took this personal approach to the hospital where he made sure his students were looking to the patient, not to reference books, in order to make their diagnoses. But textbooks, too, were part of Harrison's pedagogy; he literally wrote the book on medicine: Harrison's Principles of Internal Medicine, the bible of medical wisdom still used today by doctors and medical students. James Pittman tells the story of Tinsley Harrison and his family of doctors and how they have perpetuated this magnificent obsession of teaching medicine, now into its ninth generation.

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Photographs of Cole's attackers appeared in the newspaper after the attack. They were charged with "assault with intent to murder." (The Birmingham News, April 11, 1956.)
Interrupted Melody: The Attack on Nat "King" Cole
By Gary S. Sprayberry


A highly anticipated Nat "King" Cole concert in Birmingham in 1956, which drew thousands of music fans from across Alabama, came to an abrupt and violent halt as a group of men from a pro-segregation organization charged the stage. In this article, Gary Sprayberry explains Asa "Ace" Carter's motivations for planning the attack on Cole in April 1956 by telling the history of the North Alabama Citizen's Council and Carter's campaign to rid the state of rock-and-roll music. Carter accused the music of subverting white culture and teaching "coarse negro phrases" to white teenagers. His plan to interrupt the Nat "King" Cole concert and kidnap the singer was part of that campaign, but resulted in its undoing. The cost of the ill-conceived attack to the people of Alabama proved substantial because Nat "King" Cole never again set foot in the state of his birth.

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In this image from the Victorian journal St. Stephen's Review, the judge is deciding if he should recommend a pardon for Florence Maybrick (life) or whether he should let her hang (death). Ironically, the personification of death is Jack the Ripper. Florence's and the Ripper's crimes were contemporary, but no one would link them until over a century later. (Courtesy Daniel L. Dolgin.)
Jack the Ripper and a Belle From Mobile
By Daniel Dolgin


The infamous Jack the Ripper who haunted the streets of London over one hundred years ago may seem far removed from Alabama, but, thanks to a Southern Belle from Mobile, the crimes may be closer to home than we have ever imagined. Florence Chandler married James Maybrick on a vacation to England when she was only nineteen. More intriguing than the chance that this young girl from Alabama had unknowingly married the future Jack the Ripper is the possibility that she ended his killing spree by poisoning him with arsenic—an idea she might have gotten from her own mother. Daniel Dolgin tells the tale of the beautiful young woman from Mobile who has the distinction of being the first American woman sentenced to death in England.

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At the Battle of Chancellorsville, George Nutting of the 5th Alabama Infantry threw this battle flag like a javelin into the woods rather than have it taken by and "damn Yankee." (Alabama Department of Archives and History.)

The Guards' Civil War
By G. Ward Hubbs

At first glance the young men from Greensboro, Alabama, who joined the Confederate army were no different than the thousands of men from all over the South who did the same thing. What makes the Greensboro Guards different is the fact that many of the men were committed diarists. They did not simply write down the usual soldier's complaints about weather and food and aching feet; instead, they used their journals to contemplate everything from why the Yankees were fighting to who was the prettiest girl. G. Ward Hubbs has compiled excerpts of these journals into a narrative, and together they tell the well-rounded and complicated story of what it was like to be a soldier in the Civil War. Using many excerpts from the diaries themselves, Hubb's article takes the reader to the battlefields, the hospitals, the prison camps, and the lonely tents of the common Civil War soldier.

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DEPARTMENTS


Southern Architecture and Preservation

Instead of the familiar torch, the restored Vulcan now holds a spear in his right hand.
(Photo by Robin McDonald.)

A Roman God in Alabama: Birmingham's Vulcan
By Karelisa Hartigan

Recollections

William Denson: An Alabama Gentleman in the Devil's Court

By Joshua Greene

Nature Journal

A female bolas spider sleeps on a Cullman County leaf, resting up for the night's deceptions.
(Digital image by W. Mike Howell.)

Bolas Spiders
By L.J. Davenport


Alabama Album
Point Taken

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